Theory of Colours

1. 1 Translator's Preface and Preface to the First EditionRead by Lynne T 29m
2. 2 IntroductionRead by Nathan Rosquist 16m
3. 3 Part I - Physiological Colours Section 1 - Effects of Light and Dark on the EyeRead by Dylan Campbell 5m
4. 4 Section II - Effects of Black and White Objects on the EyeRead by Nathan Rosquist 13m
5. 5 Section III - Grey Surfaces and Objects; Section IV - Dazzling Colourless ObjectsRead by Deborah Balm 9m
6. 6 Section V - Coloured ObjectsRead by Deborah Balm 13m
7. 7 Section VI - Coloured ShadowsRead by Deborah Balm 12m
8. 8 Section VII - Faint Lights; Section VIII - Subjective HalosRead by Kieren Metts 8m
9. 9 Pathological Colours - AppendixRead by Kieren Metts 14m
10. 10 Part 2 - Physical Colours - Section IX - Diotropical ColoursRead by playonwords 6m
11. 11 Section X - Diotropical Colours of the First ClassRead by playonwords 18m
12. 12 Section XI - Diotropical Colours of the Second Class - RefractionRead by Gillian Hendrie 8m
13. 13 Subjective Experiments - Section XII - Refraction Without the Appearance of Colour; Section XIII - Conditions of the Appearance of ColourRead by Gillian Hendrie 7m
14. 14 Section XIV - Conditions Under Which the Appearance of Colour IncreasesRead by Lynne T 5m
15. 15 Section XV - Explanation of the Foregoing PhenomenaRead by Michelle Tan 12m
16. 16 Section XVI - Decrease of the Appearance of Colour; Section XVII - Grey Objects Displaced by RefractionRead by Lynne T 6m
17. 17 Section XVIII - Coloured Objects Displaced by RefractionRead by Gillian Hendrie 19m
18. 18 Section XIX - Achromatism and Hyperchromatism; Section XX - Advantages of Subjective Experiments. - Transition to the ObjectiveRead by DrPGould 11m
19. 19 Objective Experiments - Section XXI - Refraction Without the Appearance of Colour; Section XXII - Conditions of the Appearance of ColourRead by DrPGould 9m
20. 20 Section XXIII - Conditions of the Increase of Colour; Section XXIV - Explanation of the Foregoing PhenomenaRead by DrPGould 8m
21. 21 Section XXV - Decrease of the Appearance of Colour; Section XXVI - Grey Objects ; Section XXVII - Coloured Objects; Section XXVIII - Achromatism and HyperchromatismRead by Katarina Petric 11m
22. 22 Section XXIX - Combination of Subjective and Objective Experiments; Section XXX - TransitionRead by Simona Rusu 8m
23. 23 Section XXXI - Catatropical ColoursRead by Simona Rusu 11m
24. 24 Section XXXII - Paroptical ColoursRead by Simona Rusu 17m
25. 25 Section XXXIII - Epoptical ColoursRead by Simona Rusu 29m
26. 26 Part III - Chemical Colours - Section XXXIV - Chemical ContrastRead by jcrosbie 3m
27. 27 Section XXXV - White; Section XXXVI - Black; Section XXXVII - First Excitation of ColourRead by jcrosbie 10m
28. 28 Section XXXVIII - Augmentation of Colour; Section XXXIX - Culmination; Section XL - Fluctuation; Section XLI - Passage Through the Whole ScaleRead by ToddHW 9m
29. 29 Section XLII - Inversion; Section XLIII - Fixation; Section XLIV - Intermixture, Real; Section XLV - Intermixture, ApparentRead by ToddHW 10m
30. 30 Section XLVI - Communication, Actual; Section XLVII - Communication, ApparentRead by ToddHW 8m
31. 31 Section XLVIII - Extraction; Section XLIX - NomenclatureRead by Suzie 12m
32. 32 Section L - Minerals; Section LI - PlantsRead by Chris Gray 9m
33. 33 Section LII - Worms, Insects, Fishes; Section LIII - BirdsRead by Gillian Hendrie 12m
34. 34 Section LIV - Mammalia and Human BeingsRead by jenno 15m
35. 35 Section LV - Physical and Chemical Effects of the Transmission of Light Through Coloured Mediums; Section LVI - Chemical Effect in Dioptrical Achromatism;Read by Chris Gray 7m
36. 36 Part IV - General CharacteristicsRead by brianna 18m
37. 37 Part V - Relation to Other PursuitsRead by Lynne T 30m
38. 38 Part VI - Effect of Colour With Reference to Moral Associations; Yellow; Red-Yellow; Yellow-Red; Blue; Red-Blue; Red; GreenRead by Availle 18m
39. 39 Completeness and Harmony; Yellow and Blue; Yellow and Red; Blue and Red; Yellow-Red and Blue-Red; Combinations Non-Characteristic; Relations of the Combinations to Light and Dark; Considerations DerivRead by Availle 19m
40. 40 Aesthetic Influence; Chiaro-Scuro; Tendency to Colour; Keeping; Colour in General Nature; Characteristic ColouringRead by Availle 14m
41. 41 Harmonious Colouring; Genuine Tone; False Tone; Weak Colouring; The Motley; Dread of Theory; Ultimate Aim; Grounds; PigmentsRead by Availle 13m
42. 42 Allegorical, Symbolic, Mystical Application of Color; Concluding ObservationsRead by Availle 8m

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